Book Review: Azathoth: Ordo ab Chao, edited by Aaron J. French

Azathoth: Ordo ab Chao
Edited by Aaron J. French
JournalStone Publishing (August 4, 2023)
Reviewed by Andrew Byers

Having read French’s previous edited Cthulhu Mythos collection, The Gods of H.P. Lovecraft, also for JournalStone, I was looking forward to seeing what was in store.

The idea of Azathoth, rather than the Lovecraftian entity itself, looms large over this collection. I was a bit surprised that the entity itself is only mentioned in a handful of the collection’s stories and doesn’t really ever make an appearance. This is not a collection for diehard Cthulhu Mythos fans slavering for appearances by Mythos monstrosities consuming souls and laying waste to cities. On the contrary, Azathoth: Ordo ab Chao is a collection of mostly understated cosmic horror in which complex systems—people, society—are overtaken by entropy and rendered inert, or dissolved entirely, or thrown into chaos. I was struck by just how absent Azathoth himself was from these stories. I suppose that makes sense, given that we don’t know very much about Azathoth, just simply that he is a “blind idiot god,” perhaps not even truly sentient as we would understand it, and that he sits at the chaotic heart at the center of the universe, from which all matter is created, but I wanted to note that absence for other readers.

But enough preamble, onto the stories themselves. There are simply too many to dissect in their totality, so I’ll just note the stories that stood out especially strongly.

“Agent of Chaos” by T. Kingfisher: What a wonderful story. It’s less a tale of Azathoth and more of a general purpose cautionary tale about tampering with forces that man was not meant to know, no matter how inadvertent. Here, the eponymous agent of chaos is a precious little black kitten playing with a ball of yarn. This could have been an overly twee sort of story, but Kingfisher threads that needle deftly, providing a genuinely suspenseful story.

“Expatriate” by Jamieson Ridenhour: Ridenhour is a skilled writer. Once again, Azathoth is only briefly named as a kind of cosmic king who has dispatched his agents to apprehend a political dissident from his court who has sought refuge in the jazz clubs of 1960s Europe. I don’t really see this one as being connected with mainstream Mythos depictions of Azathoth, but it was an excellently poignant story.

“The Blind God’s Game” by Matthew Cheney: Interesting slice of life tale of an ex-con, his niece, and their outsider friends, all of whom work at an occult shop. Some of the best depictions of Tarot readings I have ever encountered. This is one where the stakes aren’t earth-shattering but it’s a good time nevertheless.

“Church of the Void” by Donald Tyson: A journalist, a Catholic priest, and their friend attend a public lecture by a new cult that promises non-existence to its adherents. At first, they assume that the cult is made up of charlatans, but as it turns out, it’s not, and that takes them on a terrifying journey. Once again, a nice exploration of the existential chaotic void of Azathoth without the presence of an actual Azathoth.

“The Infinite Beat” by Nathan Carson: A fascinating look at an occult group of percussionists who must dedicate their existences—at great cost, as it turns out—to keeping the god at the center of the universe asleep and dreaming and quiescent.

“The Door at 21 bis Rue Xavier Privas” by R. B. Payne: A lengthy novelette about a French detective that begins innocuously enough with a dead body found in the Seine, and ends with mind-shattering revelations about the nature of mortality and the cosmos. Really nicely written and exactly the kind of story I was hoping for when I began reading the collection.

“An Unusual Pedigree” by Richard Thomas: A man inherits a truly dark legacy that has been passed down from generation to generation in his family. This legacy colors and shapes his entire life and will be carried down to his own descendants. Powerful.

“Dust-Clotted Eyes” by Samuel Marzioli: Set in a world where almost everyone has gone away—simply disappeared—after a Visitor, in the guise of a loved one, has led them away. The last few people on Earth are holed up in a house wondering what Visitor is going to show up tonight, as well as how long they can resist joining their loved ones. Unrelievedly dark.

“The Revelations of Azathoth” by Lena Ng: A women who is an orphan and a slave, as well as a seer, lives in a fantasy setting (perhaps one of the Dreamlands?), and has heard the word of Azathoth. She spreads his worship in preparation for his coming. Really nice.

“Respect Your Elders” by Adam L. G. Nevill: A fascinating and brutal piece of social commentary in the form of a novelette that begins with a strange meteor shower. In a catastrophe vaguely reminiscent of 1984’s Night of the Comet, people all over the world under the age of forty go violently feral and kill off everyone over the age of sixty they encounter in a two or three week orgy of savagery and chaos. When the dust settles, they kind of shake off their murderous stupor and move into the now-deceased senior citizens’ homes and take their stuff as their own in a global bout of generational wealth redistribution that everyone simply accepts and doesn’t say much about, lest they trigger a new bout of savagery on the part of young people.

All in all, a really nice collection of wonderfully atmospheric cosmic horror tales. Definitely recommended.

This review originally appeared in Hellnotes.

Week 289 – Weekly Horror Short Story Reviews: Zumpe, Grey, Narnia, and Newton

Welcome to Week 289 of my horror short fiction review project! This week we bid farewell to The Book of Cthulhu II. Next week that one will be replaced by Stephen King’s Nightmares & Dreamscapes. My favorite story of the week was “Back to the Black Bog” by Lee Clark Zumpe, starring Eeyore, and blends some Ligottian elements with HPL’s “The Colour Out of Space,” so how can you go wrong with that?

The Call of Poohthulhu, edited by Neil Baker (April Moon Books, 2022)

“Back to the Black Bog” by Lee Clark Zumpe

Eeyore has always been one of my favorite Pooh characters, so it was nice to see him shine. Here, Eeyore plays the role of Thomas Liotti. He is the most intelligent of all the animals, and here he is a cosmic nihilist and pessimist. That was very well done. Into this is thrust a very “Colour Out of Space” element in which a meteorite plunges into the Hundred Acre Woods, horribly twisting and mutating everything around it. I will also note that the ending of this one involves an idea that Ligotti used in “The Mystics of Muelenburg.” There, as in here, a terrible, reality-altering set of events transpired and are then reversed, with no one the wiser. Except here, Eeyore remembers what happened. Zumpe’s sense of dark humor was also in evidence in several spots, which I very much appreciated. A very well done story.

The Book of Cthulhu II, edited by Ross E. Lockhart (Night Shade Books, 2022)

“Black Hill” by Orrin Grey

In the early twentieth century, a group of oilmen realize that their attempts to drill for oil are interfering with the Lovecraftian entities that inhabit the Earth’s interior. Some bleak closing reflections on a future that is increasingly dependent on oil. Really nice short piece.

[previously reviewed] “The God of Dark Laughter” by Michael Chabon

[previously reviewed] “Sticks” by Karl Edward Wagner

[previously reviewed] “Hand of Glory” by Laird Barron

Knifepoint Horror: The Transcripts, Volume 2, by Soren Narnia (self-published, 2018)

“sleep”

Unlike most of Soren Narnia’s stories, which feature crystal clear prose—that’s one of his super powers—“sleep” is a little confusing, which is probably unsurprising given the story’s subject matter. The narrator is the last surviving member of his family, which seems to have had a history of violent mental illness and suicide. His uncle was a Vietnam vet who eventually killed himself after never being able to come to terms with an experience he had while in Vietnam in which he awoke in the middle of a surgery (yikes!). The narrator himself is slowly descending into madness as well.

Tails of Terror: Stories of Cat-Themed Horror, edited by Brian M. Sammons (Golden Goblin Press, 2018)

“The Knowledge of the Lost Master” by Andi Newton

Some European explorers entering Tibet at a time when that was forbidden. The cat was a fairly minor element and it wasn’t at all Lovecraftian, but still a reasonably fun story, just not a great deal to it.


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Week 288 – Weekly Horror Short Story Reviews: Morgan, Leiber, Narnia, and Baker

Welcome to Week 288 of my horror short fiction review project! I actually really enjoyed all four of the stories this week. They’re all excellent and well worth your time. While Soren Narnia’s “staircase” is eminently creepy and very much concerns a topic I find especially horrific (a nocturnal home invasion when you’re at home alone at night), my favorite of the week would have to be “The Terror from the Depths” by Fritz Leiber. This was a very long Cthulhu Mythos story that is both charming and frightening. It’s the kind of piece that could only be written by someone who genuinely loves Lovecraft and the Mythos.

The Call of Poohthulhu, edited by Neil Baker (April Moon Books, 2022)

“The Very Black Goat” by Christine Morgan

Generally a good job capturing Milne’s style and thematics of a typical Pooh story. Here, Christopher Robin and Pooh meet a strange girl and her “pet goat” out in the woods and almost meet a terrible fate at their hands. They are, I think, both spawn of Shub-Niggurath. Maybe a touch too much force/violence in this one, but it’s been many years since I read an original Pooh story so maybe those elements were always present.

The Book of Cthulhu II, edited by Ross E. Lockhart (Night Shade Books, 2022)

[previously reviewed] “The Black Brat of Dunwich” by Stanley C. Sargent

“The Terror from the Depths” by Fritz Leiber

Long (this is at least a novelette if not a short novella) and exactly the kind of Mythos tale I love. Georg Reuter Fischer is a young poet who inherits a house his father built out in the California Hills in the 1930s. His sensitivities to the numinous, and the poetry he writes, inspired by strange dreams, brings him into contact with some professors at Miskatonic. He learns that the world is much stranger than he had realized, and that HPL’s writings contain some uncomforrtable truths, though they are wrong or misleading as well. One professor in particular, Albert Wilmarth, befriends this lonely soul, eventually coming to visit him. The pair quickly get in way over their heads when Wilmarth brings an experimental device to help map the subsurface and they realize that Fischer’s dreams of malign winged wormlike beings living deep under the Earth are real.

Knifepoint Horror: The Transcripts, Volume 2, by Soren Narnia (self-published, 2018)

“staircase”

Extremely creepy. Extremely. The narrator lives alone in a house and becomes deply unsettled by some sounds he hears late one night while trying to fall asleep. Trust me, I have been this guy and it can be terrifying. Then he meets a neighbor woman who says she’s interested in forming a local neighborhood watch. It dawns on him that she’s the creepiest element of the whole situation. Very disturbing and an excellent story.

Tails of Terror: Stories of Cat-Themed Horror, edited by Brian M. Sammons (Golden Goblin Press, 2018)

“The Cats of the Rue d’Auseil” by Neil Baker

A down-on-his-luck Parisian painter comes to realize that the street cats are the only thing standing between some unspeakable Lovecraftian monstrosity and the destruction of our world. Their heroic stand takes a terrible toll on them. Really well done piece.


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Week 287 – Weekly Horror Short Story Reviews: Grant, Wood, Narnia, and Rios

Welcome to my horror short fiction review project! We welcome a new collection into the line-up this week: The Call of Poohthulhu. Now that these beloved characters have entered the public domain–well, except Tigger, I think he enters the public domain next year–these beloved scamps are fair game for other writers to use, so some delightful chaps have melded these characters and setting with the Cthulhu Mythos, because of course they have. I would never have picked this collection up if I hadn’t enjoyed James Pratt’s “Black Goat of the Hundred Acre Woods,” which does something similar, so much. Pratt couldn’t name the characters because he was slightly ahead of his time, but that was an excellent story and I kind of wish it had been reprinted here. In any event, my favorite story of the week was “The Quest of Pumpkin the Brave” by Oscar Rios, which contains a perfect mix of heroism and poignancy.

The Call of Poohthulhu, edited by Neil Baker (April Moon Books, 2022)

“The Celery at the Threshold” by John Linwood Grant

This was a long one, but it perfectly captured Milne’s style of writing and all the elements that should be in a good Pooh adventure so I will gladly forgive the length. Christopher Robin and Co. are out embarking on an adventure in the Hundred Acre Woods and they encounter a teeny-tiny little semi-confused and lost Elder Thing that woke up in an underground cavern and wandered off and now can’t find his way back. Creepy, for those in the know, and just the right amount of suspense and tension as the friends enter the underground cave network and encounter their new friend’s friends. They meet a human girl out in the woods too, and I don’t think she was strictly necessary, but a lot of fun. I’d actually like to read a follow-up story to this one.

The Book of Cthulhu II, edited by Ross E. Lockhart (Night Shade Books, 2022)

“The Nyarlathotep Event” by Jonathan Wood

This one didn’t really amaze me, since it seemed so derivative of Charles Stross’ The Laundry Files series and the various Delta Green books. Don’t get me wrong, I don’t think that Stross and the Delta Green authors are the only ones allowed to write stories mingling the Cthulhu Mythos with modern-day espionage thrillers, but this story came out in 2011 and didn’t really tread any new ground. Here, we have a couple British agents attending the performance of a play at which Nyarlathotep appears and drives the audience to madness. They must shoot him (or something) to stop it. How is that going to have any effect on him anyway? Kind of forgettable.

Knifepoint Horror: The Transcripts, Volume 2, by Soren Narnia (self-published, 2018)

“bargain”

a man is asked to give a ride to a weird, sick, squirrely guy and then lock him securely inside a condemned house. He does so, but a bad storm sends a tree crashing through the house, which the sick man uses to escape the house. The narrator returns the following morning to free him from the house and finds his corpse nearby. Really good story.

Tails of Terror: Stories of Cat-Themed Horror, edited by Brian M. Sammons (Golden Goblin Press, 2018)

“The Quest of Pumpkin the Brave” by Oscar Rios

I know I’ve said that this collection has too many stories about cats venturing into HPL’s Dreamlands, that those stories are all the same and I’m bored with them. Well, this one proved me wrong. This is the story of a brave kitten who is sent into the Dreamlands to rescue a little girl, chronically ill, who is comatose and stuck in the Dreamlands. A really fun story that is about heroism and love. It needed to have a sad and poignant ending, of course, and it did. Very nicely satisfying.


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Book Review: Gris-Gris Gumbo by Rick Koster

Gris-Gris Gumbo
Rick Koster
JournalStone Publishing (June 23, 2023)
Reviewed by Andrew Byers

Rick Koster offers us a treat: what happens when Crayton Breaux, a clerk at a tourist trap voodoo shop in New Orleans’ French Quarter, starts dabbling in voodoo and discovers that it’s all real? Needless to say, things take a dark and grisly turn immediately and only get worse.

While Crayton (“Cray”) is the central figure, this is a novel about a group of friends and acquaintances living in pre-Katrina New Orleans. Most have relatively marginal existences (college students, a tourist shop worker, a would-be writer, a layabout scion of a politically-connected local family), but it’s all the people swirling around Cray who make things interesting. For example, Green Hopkins is a writer, a voice of reason, and the closest thing to a hero we have. Papa Hipolyte is an elderly friend and mentor of Green’s who used to be very devoted to voodoo in his younger days before becoming a devout Catholic. We eventually learn that Papa is also the brother of Maman Arielle, a voodoo priestess who sets everything in motion. Things escalate when the group forms a “dead pool” and morbidly bids on when celebrities might die. Cray realizes that he can actually affect the outcome through voodoo, and, well, it gets pretty ugly from there.

New Orleans functions more than just as a simple passive setting in Gris-Gris Gumbo, it’s a living, breathing place with a sense of vibrancy. This is the New Orleans that locals experience—tourists are of course a part of that lived experience, it would be almost impossible to avoid Bourbon Street and its bars and tourist traps and party atmosphere—but I would not describe the New Orleans we see here as the “seamy underbelly” of what non-locals tend to think of as a party haven. There are plenty of ordinary people just trying to get by while also enjoying the local culture and laid-back attitude. I’ve been to New Orleans several times, including a week-long trip I took to the city for Mardi Gras just a few years prior to when this novel is set, and can attest that it’s a phenomenal place to explore.

Structurally and tonally, Gris-Gris Gumbo is pretty hardboiled. By the end of the novel, everything is a mess, people have died, but Green and Papa, flawed as they are, have done the right thing, costly as it is, and order has, more or less, been restored. The novel contains several moments of true horror, though it’s as much a crime novel as a horror novel. The supernatural is real in Gris-Gris Gumbo, though the nature of voodoo is mostly left unexplored. We see its effects, though we don’t really know how it works or why. We do however know that it is mostly associated with death and curses here; this isn’t just harmless or for tourists.

Gris-Gris Gumbo is really a novel that’s built on the strength of its characters. They feel like real people—I suspect that if you were living in New Orleans in the 1990s you might have known a lot of people like this cast of characters. If New Orleans itself or voodoo in particular floats your boat, I’d certainly suggest checking this one out. It was a lot of fun. Recommended.

This review originally appeared in Hellnotes.

Week 286 – Weekly Horror Short Story Reviews: Watson, Bear, Monette, Narnia, and Rainey

Welcome to Week 286 of my weekly horror short fiction review project! This week marks the end of one of our colections, Dracula Unfanged. Starting next week, that one will be replaced in the line-up by The Call of Poohthulhu. Two stories really stand out this week, so I will have to declare a rare tie for my favorite of the week. “Boojum” by Elizabeth Bear and Sarah Monette scratches a favorite itch: a mixture of transhumanist SF with Lovecraftian elements (and this one is explicitly Cthulhu Mythos-related). And Soren Narnia’s “desert” is a super creepy tale that showcases the true horror of alien abductions.

Dracula Unfanged, edited by Christopher Sequeira (IFWG Australia, 2022)

“The House of Dracula” by I.A. Watson

A bit of a jumbled mess, I’m afraid. The protagonist is a female researcher/film scout who travels to Romania and explores the Dracula-related tourist industry, while also reflecting on how the Dracula myth has entered the popular consciousness and how he is reflected in pop culture. These passages are interspersed with some text that was nominally excised from the original draft of Stoker’s Dracula.

The Book of Cthulhu II, edited by Ross E. Lockhart (Night Shade Books, 2022)

“Boojum” by Elizabeth Bear and Sarah Monette

I personally love mixing science fiction with Lovecraftian themes and even the Cthulhu Mythos. I think Lovecraft himself would have approved; if you think about it, Lovecraft was writing many stories set in his own contemporary period—not the past—and he often had characters using what was then cutting-edge technology, like submarines and flamethrowers and electrical apparatus of various sorts. In any case, this is the story of a pirate ship in space, the Lavinia Whateley, which is a living, sentient craft like Moya in Farscape. Black Alice is a low-ranking engineer who develops a special relationship with the ship, which comes in handy when the ship tangles with the Mi-Go, who are displeased that they have stolen a cargo of human brains in canisters. There are some decent transhuman elements as well, especially toward the end of the story. My understanding is that there are two additional linked stories set in the same milieu, though I have not yet read them.

Knifepoint Horror: The Transcripts, Volume 2, by Soren Narnia (self-published, 2018)

“desert”

Another story from the files of paranormal researcher Savid Doud, who was likely murdered by his colleague Aramis Churchton. (Once again, this is just a brief framing device at the outset of the story, but I sure do hope that Narnia one day delves into this backstory.) A cartographer sent into the remote Australian outback makes a horrific discovery of nine frozen corpses of people who had been declared missing. Each of them went missing shortly after reporting that they had previously been abducted by aliens. The implication seems to be that the aliens dump people here after they’re done with them. Wonderful.

Tails of Terror: Stories of Cat-Themed Horror, edited by Brian M. Sammons (Golden Goblin Press, 2018)

“The Veil of Dreams” by Stephen Mark Rainey

If there is a weakness in this collection, it’s that many of the tales (thus far) revolve around the same essential premise: cats become aware that there is some evil or monstrous disruption and must then enter HPL’s Dreamlands to fix the problem and save themselves and the hapless humans they are close to. We have more of that premise here. This wasn’t a bad story in any case, just one with a premise I’ve grown slightly bored with since beginning to read the collection.


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